Skip to main content

[aotuc] Download ZoidicFun fonts from Ingrimayne Type

ZoidicFun
ZoidicFun ZoidicFunZoidicFun

Designed by Robert Schenk, ZoidicFun is a display sans font family. This typeface has ten styles and was published by Ingrimayne Type.


The letters of ZoidicFun are like sheep: they do not like being alone but want to be part of a flock. Many of the individual letters of ZoidicFun look strange and unshapely in isolation because they are designed to fit into a pattern with other letters. That pattern is formed by alternating asymmetric trapezoids, with trapezoids that are wide at the top alternating with trapezoids that are wide at the bottom. The magic of the OpenType feature of contextual alternatives (calt) automatically alternates them. The fonts in the family are largely monospaced and have very tight letter spacing. (If for some reason one wants to use only one set of the letters, the letters will overlap unless one widens character spacing.) (If D and O are too similar, use the alternative versions of D.)
The family has five weights and each weight has an italics formed by flipping the trapezoidal pattern over a vertical line. Like other alternating-character typeface families from IngrimayneType, this distinctive and visually-arresting family can be used for titles or advertising. (For another but very different typeface based on alternating trapezoids, see PoultrySign.)





Popular posts from this blog

Nsai fonts from Aukimvisuel - (vkbgi)

Nsai is a sans serif font family. This typeface has thirty-six styles and was published by Aukimvisuel . Nsai Nsai is a modern sans serif font family with a geometric twist, created in 2021 by a Congolese type designer, Audry Kitoko Makelele. It is available in two versions (normal and extended) making a total of 36 fonts. There are 9 weights with their true italics. Over 600 glyphs per font provide a wide range of language support, from Latin to Cyrillic, as well as powerful Opentype features such as professional kerning, stylistic variations, very special ligatures, old-fashioned tabular figures, Fractions, denominators, exponents, unlimited indices, arrows and more to satisfy the most demanding professionals. On the one hand, it features rounded curves with very open terminals that make this font family elegant, user-friendly and contemporary and on the other hand very useful for writing titles on any medium. Perfectly suited for graphic design and any display use. It could...

Download Quorthon Font Family From Paulo Goode

Designed by Paulo Goode, Quorthon is a blackletter font family. This typeface has fifteen styles and was published by Paulo Goode. Download Quorthon Font Family From Paulo Goode Quorthon is a collection of blackletter style fonts in 3 distinct voices – Black, Dark, and Grey. Each style has a more contemporary feel than the centuries-old blackletter standard, the capitals in particular were drawn to aid legibility in today’s world rather than to follow tradition. All the fonts contain a number of alternates that will help you embellish your typography – when used subtly, they can add flair to your titles and logo designs. BLACK is the most severe of the three styles, its lowercase forms were inspired by text I discovered on a marble tomb in a remote countryside church in England. The aggressive barbs and spurs give these fonts an imposing stature, ideal for branding, advertising and logotype, where a forceful message is required. DARK is ...

Download Artisinal Font Family From Stiggy & Sands

Designed by Brian J. Bonislawsky, Jim Lyles and John W. Zimmerman, Artisinal is an art deco font published by Stiggy & Sands. Download Artisinal Font Family From Stiggy & Sands Historical Art Deco typestyle finds new legs as a Revival Artisinal, not to be confused with the term artisanal, is our revival of the Art Deco typeface known as Cubist Bold, by John W. Zimmerman for Barnhardt Bros. & Spindler in 1929, breathes new life into a classic. The original metal cast typeface was designed without a lowercase, as well as some wedge serif capitals that made for not always perfect pairings. We’ve created a lowercase that blends well with the original design to give the typeface more usability. We’ve also created a fully sans version of the capitals as the default set, and moved the original wedge serif capital styles to a contextual alternates feature. We’ve also created a few stylistic alternates for lowercase characters like the u...