Skip to main content

Grato & Gratimo Grotesk fonts from TypeMates - (fhjwr)

Grato & Gratimo Grotesk
Grato & Gratimo Grotesk Grato & Gratimo GroteskGrato & Gratimo Grotesk

Designed by Jakob Runge and Mona Franz, Grato & Gratimo Grotesk is a sans serif font family. This typeface has twenty-one styles and was published by TypeMates.


The geometric Grotesk is available in two optical sizes: Grato Grotesk is geared for branding and identity design in larger sizes and purer geometry. If you need less geometry and more legibility, Gratimo Grotesk is engineered for text and interface design.

Grato Grotesk is the modernist of the Geometric Suite. A resolute typeface with flat apexes and no-nonsense angled terminals, it combines a clean, contemporary aesthetic with idiosyncrasy and warmth.
Grato is shaped by pure forms, low stroke modulation and square dots that contrast with almost perfect circles. Grato Grotesk takes that core and pursues the industrial logic of early German geometric typefaces. The result is a typeface of quirks and clarity, a substantial family for identity and editorial work. With a spectrum of nine weights, from fine Hairlines to super heavy Blacks, Grato can organise complex typographic hierarchies with ease.

Gratimo Grotesk is an utilitarian family purpose-built for everyday use, a powerful workhorse that combines elementary shapes and precise construction.
Where Grato Grotesk revels in pure geometry, Gratimo Grotesk has a practical focus. With a robust x-height, open apertures and generous spacing, its more restrained forms were the result of Grato being redrawn for reading. The result is a neo-grotesque that draws on American Gothics from the early 20th century and makes something fresh.
An allrounder specialising in smaller reading sizes and lower resolutions, Gratimo Grotesk is suitable for user interfaces and longform writing. With a compact texture, it is efficient, robust and ready to work at any size. For serious typography, Gratimo comes equipped with six weights, from Thin to sturdy Black. For greater distinction, it has matching italics.

Both combined are a super pack with 21 font styles and a long-lasting companion for brands that value diversity in language and clear screen performance.



Grato & Gratimo GroteskDownload NowView Gallery


Popular posts from this blog

Nsai fonts from Aukimvisuel - (vkbgi)

Nsai is a sans serif font family. This typeface has thirty-six styles and was published by Aukimvisuel . Nsai Nsai is a modern sans serif font family with a geometric twist, created in 2021 by a Congolese type designer, Audry Kitoko Makelele. It is available in two versions (normal and extended) making a total of 36 fonts. There are 9 weights with their true italics. Over 600 glyphs per font provide a wide range of language support, from Latin to Cyrillic, as well as powerful Opentype features such as professional kerning, stylistic variations, very special ligatures, old-fashioned tabular figures, Fractions, denominators, exponents, unlimited indices, arrows and more to satisfy the most demanding professionals. On the one hand, it features rounded curves with very open terminals that make this font family elegant, user-friendly and contemporary and on the other hand very useful for writing titles on any medium. Perfectly suited for graphic design and any display use. It could...

Download Quorthon Font Family From Paulo Goode

Designed by Paulo Goode, Quorthon is a blackletter font family. This typeface has fifteen styles and was published by Paulo Goode. Download Quorthon Font Family From Paulo Goode Quorthon is a collection of blackletter style fonts in 3 distinct voices – Black, Dark, and Grey. Each style has a more contemporary feel than the centuries-old blackletter standard, the capitals in particular were drawn to aid legibility in today’s world rather than to follow tradition. All the fonts contain a number of alternates that will help you embellish your typography – when used subtly, they can add flair to your titles and logo designs. BLACK is the most severe of the three styles, its lowercase forms were inspired by text I discovered on a marble tomb in a remote countryside church in England. The aggressive barbs and spurs give these fonts an imposing stature, ideal for branding, advertising and logotype, where a forceful message is required. DARK is ...

Download Artisinal Font Family From Stiggy & Sands

Designed by Brian J. Bonislawsky, Jim Lyles and John W. Zimmerman, Artisinal is an art deco font published by Stiggy & Sands. Download Artisinal Font Family From Stiggy & Sands Historical Art Deco typestyle finds new legs as a Revival Artisinal, not to be confused with the term artisanal, is our revival of the Art Deco typeface known as Cubist Bold, by John W. Zimmerman for Barnhardt Bros. & Spindler in 1929, breathes new life into a classic. The original metal cast typeface was designed without a lowercase, as well as some wedge serif capitals that made for not always perfect pairings. We’ve created a lowercase that blends well with the original design to give the typeface more usability. We’ve also created a fully sans version of the capitals as the default set, and moved the original wedge serif capital styles to a contextual alternates feature. We’ve also created a few stylistic alternates for lowercase characters like the u...