Skip to main content

neue Singular fonts from Neue - (prlks)

neue Singular
neue Singular neue Singularneue Singular

Designed by Alexander Roth, neue Singular is a sans serif font family. This typeface has sixty styles and was published by Neue.


neue Singular is a contemporary Neo-grotesque sans-serif designed in three variants. The suffixes H, D, and V indicate the corresponding treatment of the stroke endings: H for horizontal, D for diagonal, and V for vertical. Despite of the stylistic range neue Singular covers it is still one coherent typographic system that shares the same amount of weights, identical character sets and vertical dimensions. Professional typographers are encouraged to use the individual variants as optical sizes — neue Singular H for headlines, neue Singular D for copy and neue Singular V for the small print.

neue Singular is designed with space sensitive environments in mind. Environments such as interfaces, forms and wayfinding applications. The letter spacing is adjusted in a way that allows for switching weights and styles without a significant impact on the overall consumption of space.

Each neue Singular variant spans across no less than 10 weights ranging from Extra Thin to Black. The matching Italics add additional ways of distinguishing information but doing it so with the least possible compromise on the graphical quality of Neo-grotesque shapes. All 60 fonts of the neue Singular family are equipped with roundabout 550 characters including multiple figure sets, alternative characters and arrows. neue Singular is Made in Germany.

For trial or variable versions please reach out to hi@neuefoundry.com





Popular posts from this blog

Nsai fonts from Aukimvisuel - (vkbgi)

Nsai is a sans serif font family. This typeface has thirty-six styles and was published by Aukimvisuel . Nsai Nsai is a modern sans serif font family with a geometric twist, created in 2021 by a Congolese type designer, Audry Kitoko Makelele. It is available in two versions (normal and extended) making a total of 36 fonts. There are 9 weights with their true italics. Over 600 glyphs per font provide a wide range of language support, from Latin to Cyrillic, as well as powerful Opentype features such as professional kerning, stylistic variations, very special ligatures, old-fashioned tabular figures, Fractions, denominators, exponents, unlimited indices, arrows and more to satisfy the most demanding professionals. On the one hand, it features rounded curves with very open terminals that make this font family elegant, user-friendly and contemporary and on the other hand very useful for writing titles on any medium. Perfectly suited for graphic design and any display use. It could...

Download Quorthon Font Family From Paulo Goode

Designed by Paulo Goode, Quorthon is a blackletter font family. This typeface has fifteen styles and was published by Paulo Goode. Download Quorthon Font Family From Paulo Goode Quorthon is a collection of blackletter style fonts in 3 distinct voices – Black, Dark, and Grey. Each style has a more contemporary feel than the centuries-old blackletter standard, the capitals in particular were drawn to aid legibility in today’s world rather than to follow tradition. All the fonts contain a number of alternates that will help you embellish your typography – when used subtly, they can add flair to your titles and logo designs. BLACK is the most severe of the three styles, its lowercase forms were inspired by text I discovered on a marble tomb in a remote countryside church in England. The aggressive barbs and spurs give these fonts an imposing stature, ideal for branding, advertising and logotype, where a forceful message is required. DARK is ...

Download Artisinal Font Family From Stiggy & Sands

Designed by Brian J. Bonislawsky, Jim Lyles and John W. Zimmerman, Artisinal is an art deco font published by Stiggy & Sands. Download Artisinal Font Family From Stiggy & Sands Historical Art Deco typestyle finds new legs as a Revival Artisinal, not to be confused with the term artisanal, is our revival of the Art Deco typeface known as Cubist Bold, by John W. Zimmerman for Barnhardt Bros. & Spindler in 1929, breathes new life into a classic. The original metal cast typeface was designed without a lowercase, as well as some wedge serif capitals that made for not always perfect pairings. We’ve created a lowercase that blends well with the original design to give the typeface more usability. We’ve also created a fully sans version of the capitals as the default set, and moved the original wedge serif capital styles to a contextual alternates feature. We’ve also created a few stylistic alternates for lowercase characters like the u...