lnsxjdpauh Download Gravtrac Fonts Family From Typodermic Fonts Inc.

Designed by Ray Larabie, Gravtrac is a slab serif font family. This typeface has fifty-six styles and was published by Typodermic Fonts Inc.

Download Gravtrac Fonts Family From Typodermic Fonts Inc.

Gravtrac is a slab serif headliner designed to deliver solid punches while taking up as little horizontal space as possible. Inspiration comes from mid twentieth century classics: Univers 59 Ultra-Condensed, Helvetica Inserat and Compacta. It’s all about flat sides, a steady rhythm and tight, precision curves. The widest style of Gravtac is Condensed—compact, yet a comfortable read, available in 7 weights from Ultra-Light to Heavy. Gravtrac Compressed is probably the width where most typefaces would quit. It’s narrow enough for most…but not for you. That’s why we have Gravtrac Crammed. It’s audaciously narrow—perfect for times where you want the reader to slow down and truly pay attention to the message. Gravtrac Crushed is devilishly slender. Try it with wide tracking for a stark, opulent look. All styles are also available in obliques varying from 7 to 10 degrees—58 styles in total. Gravtrac includes Opentype fractions, numeric ordinals, a breadth of currency symbols and old-style (lowercase) numerals. Almost all current Latin based languages are supported as well as Greek and Cyrillic. Every skilled designer already has slab serif typefaces in their stockpile but some of us have the need to squeeze.

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Download Duepuntozero Pro Font Family From Zetafonts

Designed by Francesco Canovaro, Duepuntozero Pro is a sans serif and dingbat font family. This typeface has twenty-seven styles and was published by Zetafonts. Download Duepuntozero Pro Font Family From Zetafonts Created as a logo typeface in 2004 by Francesco Canovaro, Duepuntozero is one of Zetafonts classic typefaces. A monolinear sans serif typeface with rounded corners and condensed proportions, strictly based on modular geometric design, it was at first designed in five weights to be used as a condensed companion typeface to the rounded display family Arista. In 2019 the family was completely redesigned by the Zetafonts Team, expanding the original character set to include cyrillic and greek glyphs and adding four extra weights and italics to the original weight range. This restored and revamped version, named Duepuntozero Pro, also includes full Open Type features for positional figures, fractions and Small Caps. With his rounded, min...

Download Bridge Text Font Family From TypeMates

Designed by Mona Franz, Bridge Text is a serif font family. This typeface has ten styles and was published by TypeMates. Download Bridge Text Font Family From TypeMates The drummer in a band of confident, edgy editorial typefaces Bridge Text brings rhythm and clarity to longform reading. With crisp character, sparkling texture and driving asymmetrical counters, Bridge Text refines Bridge Head’s graphic qualities for note perfect, highly readable text at smaller sizes. Slightly narrow proportions, moderate stroke contrast and an ample x-height ensure Bridge Text is clear and efficient. With five weights and matching italics for distinctively setting quotes or marginalia, Bridge Text has a range of ways to give longform text a modern voice. Each of her 10 styles can work together with Bridge Head to tell stories and build complex typographic ensembles in editorial and corporate design. Unlike other superfamilies, Bridge Head and Bridge Text are distinguished by mo...

Download Artisinal Font Family From Stiggy & Sands

Designed by Brian J. Bonislawsky, Jim Lyles and John W. Zimmerman, Artisinal is an art deco font published by Stiggy & Sands. Download Artisinal Font Family From Stiggy & Sands Historical Art Deco typestyle finds new legs as a Revival Artisinal, not to be confused with the term artisanal, is our revival of the Art Deco typeface known as Cubist Bold, by John W. Zimmerman for Barnhardt Bros. & Spindler in 1929, breathes new life into a classic. The original metal cast typeface was designed without a lowercase, as well as some wedge serif capitals that made for not always perfect pairings. We’ve created a lowercase that blends well with the original design to give the typeface more usability. We’ve also created a fully sans version of the capitals as the default set, and moved the original wedge serif capital styles to a contextual alternates feature. We’ve also created a few stylistic alternates for lowercase characters like the u...

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