Skip to main content

Download Philadelphian Fonts Family From FontMesa

Download Philadelphian Fonts Family From FontMesa
Designed by Michael Hagemann, Philadelphian is a western font family. This typeface has twelve styles and was published by FontMesa.


Philadelphian is a revival of a MacKellar, Smiths & Jordan font from 1867 by the same name.

The regular version with shadow outline was the only style that was offered in 1867.

We’ve taken the original design further by creating two additional weights of medium and bold plus plain black versions.

The medium and bold weights are unique because only the horizontal strokes increase in thickness while the vertical strokes remain the same in each weight.

In the late 1800’s Philadelphian was a very popular typeface which can be seen on many billheads and letterheads through the early 1900’s.

If you’re looking for a western style font that doesn’t look like any other then Philadelphian is the right choice.

While the name doesn’t remind you of the cowboy genre we’ve kept the original name for historical reasons because this font was so popular in it’s day.

We plan on going forward with a weathered version of Philadelphian which will be released under a southwestern style name.

With Philadelphian we’ve decided to set the complete family price to an amount that may be considered on sale all of the time.



Download Philadelphian Fonts Family From FontMesa


Popular posts from this blog

Nsai fonts from Aukimvisuel - (vkbgi)

Nsai is a sans serif font family. This typeface has thirty-six styles and was published by Aukimvisuel . Nsai Nsai is a modern sans serif font family with a geometric twist, created in 2021 by a Congolese type designer, Audry Kitoko Makelele. It is available in two versions (normal and extended) making a total of 36 fonts. There are 9 weights with their true italics. Over 600 glyphs per font provide a wide range of language support, from Latin to Cyrillic, as well as powerful Opentype features such as professional kerning, stylistic variations, very special ligatures, old-fashioned tabular figures, Fractions, denominators, exponents, unlimited indices, arrows and more to satisfy the most demanding professionals. On the one hand, it features rounded curves with very open terminals that make this font family elegant, user-friendly and contemporary and on the other hand very useful for writing titles on any medium. Perfectly suited for graphic design and any display use. It could...

Download Quorthon Font Family From Paulo Goode

Designed by Paulo Goode, Quorthon is a blackletter font family. This typeface has fifteen styles and was published by Paulo Goode. Download Quorthon Font Family From Paulo Goode Quorthon is a collection of blackletter style fonts in 3 distinct voices – Black, Dark, and Grey. Each style has a more contemporary feel than the centuries-old blackletter standard, the capitals in particular were drawn to aid legibility in today’s world rather than to follow tradition. All the fonts contain a number of alternates that will help you embellish your typography – when used subtly, they can add flair to your titles and logo designs. BLACK is the most severe of the three styles, its lowercase forms were inspired by text I discovered on a marble tomb in a remote countryside church in England. The aggressive barbs and spurs give these fonts an imposing stature, ideal for branding, advertising and logotype, where a forceful message is required. DARK is ...

Download Artisinal Font Family From Stiggy & Sands

Designed by Brian J. Bonislawsky, Jim Lyles and John W. Zimmerman, Artisinal is an art deco font published by Stiggy & Sands. Download Artisinal Font Family From Stiggy & Sands Historical Art Deco typestyle finds new legs as a Revival Artisinal, not to be confused with the term artisanal, is our revival of the Art Deco typeface known as Cubist Bold, by John W. Zimmerman for Barnhardt Bros. & Spindler in 1929, breathes new life into a classic. The original metal cast typeface was designed without a lowercase, as well as some wedge serif capitals that made for not always perfect pairings. We’ve created a lowercase that blends well with the original design to give the typeface more usability. We’ve also created a fully sans version of the capitals as the default set, and moved the original wedge serif capital styles to a contextual alternates feature. We’ve also created a few stylistic alternates for lowercase characters like the u...