Skip to main content

Download Losta Masta Fonts Family From Creative Media Lab

Download Losta Masta Fonts Family From Creative Media Lab
Download Losta Masta Fonts Family From Creative Media Lab Download Losta Masta Fonts Family From Creative Media LabDownload Losta Masta Fonts Family From Creative Media Lab

Losta Masta is a display, display serif and dingbat font family. This typeface has eight styles and was published by Creative Media Lab.


Losta Masta - fun and playful serif family.

Unique, playful and versatile serif family with 40+ ligatures and 100+ alternates that you can combine to get curves and beautiful shapes just in seconds.

type the words and Add the unique shapes from Losta Masta ornament to get more stunning display.

This font is suitable for use in many design forms, for example magazines, postcards, logos, DIY Projects, invitation card, quotes, vintage look design, old classic ,60s, 70s, 80s era, wedding projects and much more. We recommend using Adobe Illustrator or Photoshop.

how to access alternate?

  simply copy and paste the glyph in the pdf alternates character map into your choosen software
  Adobe Photoshop go to Window - glyphs
  Adobe Illustrator go to Type - glyphs



Download Losta Masta Fonts Family From Creative Media LabDownload NowView Gallery


Popular posts from this blog

Nsai fonts from Aukimvisuel - (vkbgi)

Nsai is a sans serif font family. This typeface has thirty-six styles and was published by Aukimvisuel . Nsai Nsai is a modern sans serif font family with a geometric twist, created in 2021 by a Congolese type designer, Audry Kitoko Makelele. It is available in two versions (normal and extended) making a total of 36 fonts. There are 9 weights with their true italics. Over 600 glyphs per font provide a wide range of language support, from Latin to Cyrillic, as well as powerful Opentype features such as professional kerning, stylistic variations, very special ligatures, old-fashioned tabular figures, Fractions, denominators, exponents, unlimited indices, arrows and more to satisfy the most demanding professionals. On the one hand, it features rounded curves with very open terminals that make this font family elegant, user-friendly and contemporary and on the other hand very useful for writing titles on any medium. Perfectly suited for graphic design and any display use. It could...

Download Quorthon Font Family From Paulo Goode

Designed by Paulo Goode, Quorthon is a blackletter font family. This typeface has fifteen styles and was published by Paulo Goode. Download Quorthon Font Family From Paulo Goode Quorthon is a collection of blackletter style fonts in 3 distinct voices – Black, Dark, and Grey. Each style has a more contemporary feel than the centuries-old blackletter standard, the capitals in particular were drawn to aid legibility in today’s world rather than to follow tradition. All the fonts contain a number of alternates that will help you embellish your typography – when used subtly, they can add flair to your titles and logo designs. BLACK is the most severe of the three styles, its lowercase forms were inspired by text I discovered on a marble tomb in a remote countryside church in England. The aggressive barbs and spurs give these fonts an imposing stature, ideal for branding, advertising and logotype, where a forceful message is required. DARK is ...

Download Artisinal Font Family From Stiggy & Sands

Designed by Brian J. Bonislawsky, Jim Lyles and John W. Zimmerman, Artisinal is an art deco font published by Stiggy & Sands. Download Artisinal Font Family From Stiggy & Sands Historical Art Deco typestyle finds new legs as a Revival Artisinal, not to be confused with the term artisanal, is our revival of the Art Deco typeface known as Cubist Bold, by John W. Zimmerman for Barnhardt Bros. & Spindler in 1929, breathes new life into a classic. The original metal cast typeface was designed without a lowercase, as well as some wedge serif capitals that made for not always perfect pairings. We’ve created a lowercase that blends well with the original design to give the typeface more usability. We’ve also created a fully sans version of the capitals as the default set, and moved the original wedge serif capital styles to a contextual alternates feature. We’ve also created a few stylistic alternates for lowercase characters like the u...