Skip to main content

Download City Boys Fonts Family From Dharma Type

Download City Boys Fonts Family From Dharma Type
Download City Boys Fonts Family From Dharma Type Download City Boys Fonts Family From Dharma TypeDownload City Boys Fonts Family From Dharma Type

Designed by Ryoichi Tsunekawa, City Boys is a sans serif font family. This typeface has fourteen styles and was published by Dharma Type.


City Boys is a fashionable contrasted sans-serif that can be used in almost any situation.

City Boys has basic, natural and neutral letterforms and skeletons for a wide range of usage.
The glyphs are somewhat humanist yet they have vertical stress for modern and sophisticated impression.
The ratio of the contrast was carefully designed for modern usage –websites, digital, printings and merchandises–.

City Boys consists of 7 weights and their matching Italics for a wide range of usages.
Farther, City Boys is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also CSS covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works.

City Boys Soft is a softly rounded version of this City Boys.



Download City Boys Fonts Family From Dharma TypeDownload NowView Gallery


Popular posts from this blog

Nsai fonts from Aukimvisuel - (vkbgi)

Nsai is a sans serif font family. This typeface has thirty-six styles and was published by Aukimvisuel . Nsai Nsai is a modern sans serif font family with a geometric twist, created in 2021 by a Congolese type designer, Audry Kitoko Makelele. It is available in two versions (normal and extended) making a total of 36 fonts. There are 9 weights with their true italics. Over 600 glyphs per font provide a wide range of language support, from Latin to Cyrillic, as well as powerful Opentype features such as professional kerning, stylistic variations, very special ligatures, old-fashioned tabular figures, Fractions, denominators, exponents, unlimited indices, arrows and more to satisfy the most demanding professionals. On the one hand, it features rounded curves with very open terminals that make this font family elegant, user-friendly and contemporary and on the other hand very useful for writing titles on any medium. Perfectly suited for graphic design and any display use. It could...

Download Quorthon Font Family From Paulo Goode

Designed by Paulo Goode, Quorthon is a blackletter font family. This typeface has fifteen styles and was published by Paulo Goode. Download Quorthon Font Family From Paulo Goode Quorthon is a collection of blackletter style fonts in 3 distinct voices – Black, Dark, and Grey. Each style has a more contemporary feel than the centuries-old blackletter standard, the capitals in particular were drawn to aid legibility in today’s world rather than to follow tradition. All the fonts contain a number of alternates that will help you embellish your typography – when used subtly, they can add flair to your titles and logo designs. BLACK is the most severe of the three styles, its lowercase forms were inspired by text I discovered on a marble tomb in a remote countryside church in England. The aggressive barbs and spurs give these fonts an imposing stature, ideal for branding, advertising and logotype, where a forceful message is required. DARK is ...

Download Artisinal Font Family From Stiggy & Sands

Designed by Brian J. Bonislawsky, Jim Lyles and John W. Zimmerman, Artisinal is an art deco font published by Stiggy & Sands. Download Artisinal Font Family From Stiggy & Sands Historical Art Deco typestyle finds new legs as a Revival Artisinal, not to be confused with the term artisanal, is our revival of the Art Deco typeface known as Cubist Bold, by John W. Zimmerman for Barnhardt Bros. & Spindler in 1929, breathes new life into a classic. The original metal cast typeface was designed without a lowercase, as well as some wedge serif capitals that made for not always perfect pairings. We’ve created a lowercase that blends well with the original design to give the typeface more usability. We’ve also created a fully sans version of the capitals as the default set, and moved the original wedge serif capital styles to a contextual alternates feature. We’ve also created a few stylistic alternates for lowercase characters like the u...